Play Along Piano

Tags

Opera

Overture

BelCantoOpera

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	21	0	0	6	69%
Violins 1	20	0	0	7	64%
View all 22 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	21	0	6	69%
Violins 1	20	0	7	64%
Violas	18	0	8	63%
Violins 2	21	0	5	61%
Double Basses	16	0	6	59%
Flute	11	0	5	18%
	14	0	7	34%
B Trumpet	11	4	9	25%
	15	5	7	18%
Trombone	14	0	7	24%
	4	0	2	4%
Oboe	10	0	5	7%
	14	0	6	22%
Horn	12	2	6	21%
	10	1	4	19%
Bassoon	14	0	7	16%
	10	0	7	10%
B Clarinet	11	4	4	10%
	10	2	4	10%
Timpani	4	0	2	9%
F Tuba	3	0	2	2%
Piccolo	3	0	2	2%

William Tell Overture

mike320

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	29	0	14	8	83%
Violins II	34	13	19	7	80%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	29	0	14	8	83%
Violins II	34	13	19	7	80%
2 Bassoons	30	40	12	7	79%
Contrabasses	27	0	13	8	78%
Violas	27	58	14	5	78%
2 A Clarinets	30	61	15	6	72%
Violins I	40	10	22	9	71%
2 Horns in E	17	22	5	7	66%
Timpani	2	0	0	6	60%
Flute	29	0	14	10	59%
2 Horns in G	12	12	4	7	56%
2 Oboes	30	52	15	6	53%
E Trumpet	10	8	0	7	50%
Piccolo	27	0	13	8	49%
Bass Trombone	23	0	10	6	48%
2 Trombones	23	1	9	6	40%
English Horn	16	0	4	6	9%
Violoncello Soli	11	0	6	6	8%
	12	0	5	6	8%
	15	0	5	6	8%
	31	0	14	9	9%
	9	0	3	8	8%

The Barber of Seville Overture

mike320

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	26	35	12	9	97%
Violoncellos	23	0	10	9	93%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	26	35	12	9	97%
Violoncellos	23	0	10	9	93%
Violins II	33	45	14	11	93%
Contrabasses	33	0	11	9	91%
Violins I	34	25	15	13	88%
Flutes	25	0	7	11	66%
Bassoons	23	19	9	9	60%
Oboes	24	40	10	9	56%
Flute	21	0	9	10	50%
Horn in E	13	7	3	9	45%
C Clarinet	24	30	8	10	41%
Timpani	5	0	1	5	35%
A Trumpet	7	6	0	6	35%
Trombone	17	0	4	5	25%
A Clarinet	19	24	5	10	25%
Horn in G	14	4	2	5	16%

The Marriage of Figaro Overture

mike320

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II	29	18	11	5	96%
Violins I	29	23	10	9	95%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II	29	18	11	5	96%
Violins I	29	23	10	9	95%
Violas	25	6	10	4	93%
Violoncellos	22	0	10	5	84%
Contrabasses	23	0	10	5	82%
Bassoons	24	17	9	5	81%
Oboes	22	33	7	6	77%
Flutes	18	30	3	6	71%
Horn in D	9	12	0	6	66%
A Clarinet	17	26	3	6	58%
D Trumpet	8	9	0	5	51%
Timpani	2	0	0	5	42%

Chorus of Soldiers and Shepherdesses

rufinb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	22	27	7	7	100%
	28	23	10	7	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	22	27	7	7	100%
	28	23	10	7	100%
Contrabass	17	0	5	7	100%
Viola	19	24	9	6	100%
Violoncello	23	0	6	6	100%
A Clarinets 1 amp;amp; 2	29	0	11	9	93%
Bassoon	27	0	11	9	88%
Oboes 1 amp;amp; 2	19	0	8	8	82%
E Horns 1 amp;amp; 2	11	0	2	8	72%
Flutes 1 amp;amp; 2	19	0	9	8	69%
Trombones 1 amp;amp; 2	17	0	6	5	61%
E Trumpets 1 amp;amp; 2	11	0	2	5	58%
Ophicleide	12	0	3	5	46%
Piccolo	13	0	3	6	45%
Timpani	2	0	0	5	29%
A Clarinet	6	0	0	5	13%
Flute	8	0	1	5	13%

FranckM.

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	22	5	7	11	94%
	9	0	1	3	5%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	22	5	7	11	94%
	9	0	1	3	5%
Violono I	13	0	1	4	5%
	25	10	9	12	94%
Violoncello Contrebasso	18	1	5	9	93%
	17	0	4	9	93%
Violino II	28	13	9	13	93%
2 Fagotti	21	28	8	8	81%
2 Gorni in C	10	12	0	5	79%
2 Oboi	10	6	1	3	5%
	18	27	7	9	74%
2 Flauti	16	27	5	11	69%
Don Giovanni	11	0	3	7	46%
Zerlina	13	0	5	6	45%
Masetto	14	0	4	7	36%
2 Trombe in C	7	4	0	4	30%
2 Clarinetti in C	11	11	0	7	28%
Timpani in C e G	2	0	0	5	16%
Coro Basso	7	0	0	3	13%
Tenore	8	0	0	3	13%
Violoncello e Contrabasso	8	0	1	3	5%
Violono II	12	0	1	4	5%
2 Corni ln F	5	3	0	3	5%

J.W. Goethe - Faust I (Ouvertüre)

Pretasoc

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	24	0	2	8	79%
Violoncellos	15	2	2	8	66%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	24	0	2	8	79%
Violoncellos	15	2	2	8	66%
Violins 2	17	0	0	7	65%
Violas	18	0	1	6	62%
Contrabass	16	0	2	8	51%
Flute	18	0	3	10	46%
Oboe	16	0	2	9	43%
C Trumpet	21	0	2	8	38%
Bass Clarinet	14	0	1	7	35%
Piccolo	13	0	1	9	29%
C Tuba	14	0	1	7	28%
Soprano	13	0	0	6	27%
B Clarinet	17	0	3	7	27%
Bassoon	12	0	1	8	27%
English Horn	13	0	0	7	25%
Alto	9	0	0	5	24%
Tenor	14	0	0	6	24%
Trombone	15	0	0	8	24%
Bass	10	0	0	5	22%
Violin	22	0	1	8	18%
Timpani	6	0	1	6	10%
Mephistoles	5	0	0	5	2%

WQ40 - iphignie en aulide (Gluck)

edward.maurath

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	609	29	13	97%
	58	373	40	11	96%
View all 26 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	609	29	13	97%
	58	373	40	11	96%
Iphigénie	21	0	15	11	18%
Achille	19	0	11	9	18%
Soprano	20	0	7	9	16%
Alto	19	0	6	9	15%
Clytemnestre	20	0	13	8	15%
Ténor	11	0	4	4	0%
	6	0	0	4	0%
	18	0	10	9	15%
Basse	13	0	3	4	0%
	19	0	9	9	15%
	15	0	2	7	1%
Agamemnon	20	0	12	8	13%
Calchas	20	2	10	8	2%
Patrocle	14	0	4	6	1%
1ʳᵉ Grecque	16	0	4	6	1%
Arcas	11	0	4	5	1%
Diane	16	0	6	7	1%
Grec	8	0	1	5	0%
Ténor 1	8	0	1	6	0%
Ténor 2	9	0	1	6	0%
2ᵉ Grecque	11	0	1	5	0%
3ᵉ Grecque	10	0	2	5	0%
Femme de la suite d’Iphigénie	10	0	0	5	0%
Esclave Lesbienne	7	0	0	3	0%